Museum of the Moving Image and Sloan Science & Film are pleased to expand our relationship with the Alfred P. Sloan Foundation with the Sloan Student Grand Jury and Discovery Prizes. The program, established and formerly administered by Tribeca Film Institute, awards aspiring filmmakers from select schools across the nation a cash prize, along with dedicated mentorship and unique networking opportunities.

The Sloan Student Grand Jury and Discovery Prizes celebrates two outstanding feature film or scripted series screenplays annually—from those nominated by twelve top graduate film programs—that integrate science or technology themes and characters into a realistic, compelling, and timely story. Two winners, selected by a jury of esteemed film and science professionals, receive a $20,000 prize and are provided industry exposure, feedback, and year-round mentorship from a science advisor and film industry professional. These prizes aim to support film development and advance the careers of diverse, emerging filmmakers interested in science and technology as they transition out of graduate school and into the film industry.

The Sloan Student Grand Jury Prize, first established by the Tribeca Film Institute and the Alfred P. Sloan Foundation in 2011, will be awarded through a nomination process conducted by the six leading university film schools that partner year-round with the Alfred P. Sloan Foundation. They are: American Film Institute; Carnegie Mellon University School of Drama; Columbia University Film Department; NYU Tisch School of the Arts; UCLA School of Theater, Film and Television; and USC School of Cinematic Arts. Each school will nominate one screenplay or scripted series pilot from those that have been recognized for its realistic and compelling depictions of science and technology themes or characters. The Grand Jury Prize is awarded to the best-of-the-best from these program partners.

The Sloan Student Discovery Prize, newly established in 2019 by the Tribeca Film Institute and Alfred P. Sloan Foundation, is open to nominations from six public universities with established graduate film programs. The schools are: Brooklyn College Feirstein School of Cinema; Florida State University; SUNY Purchase School of Film and Media Studies; Temple University; University of Texas at Austin; and University of Michigan. Each school nominates one screenplay or scripted series pilot for consideration by the jury.

About the Prizes:

  • Applications are accepted by nomination only.
  • Applicants can submit a feature film screenplay or a pilot with series treatment.
  • Scripts should prominently feature science, engineering, mathematics, or technology in the story.
  • Finalists will be expected to go through one round of notes with an assigned writing mentor and then submit a revised screenplay with a formal application in fall 2021 to be reviewed by a jury of science and film industry professionals.
  • Each award comes with a $20,000 prize and year-round mentorship from a science and film industry advisor.
  • The winners will be celebrated at a public awards ceremony at Museum of the Moving Image in November 2021.
  • The winning screenplays will be showcased at MoMI's annual First Look Festival in March 2022 with a session dedicated to screenplay readings and feedback.
  • The winning filmmakers will be asked to participate in a mentor workshop with MoMI's Teen Council.
  • MoMI staff will oversee the distribution of funds to the winning filmmaker and will monitor the ways in which those funds are used.

Meet the 2021 Jurors:

Bethanie Edwards is a Professor at University of California, Berkeley and a sea-going oceanographer who hails from rural Arkansas. She is deeply interested in how marine microbes interact with one another, the chemical language that they use to do so, and the impact this has on ocean chemistry and climate.

Alexis Galfas is the Head of Tracking at Cinetic Media, where she works across the Finance, Management, and Global Sales teams to identify and bring in filmmaker-driven projects that are creatively unique and commercially viable. Her responsibilities include establishing relationships with emerging filmmakers, building Cinetic's film festival slates, assessing potential financing opportunities, and tracking film festival, market, and industry trends. She has also consulted range of independent financiers and large media companies including NatGeo and The New York Times. Recent projects she has been involved with include Time, RBG, Faya Dayi, Homeroom, Mucho Mucho Amor, Land, We The Animals, Knock Down the House, Hale County This Morning This Evening, Science Fair, Amy, Strong Island, 1971, and Summer of Soul.

Wendy Ju is an Associate Professor at the Jacobs Technion-Cornell Institute at Cornell Tech and the Technion and in the Information Science field at Cornell University. Her work in the areas of human-robot interaction and automated vehicle interfaces highlights the ways that interactive devices can be designed to be safer, more predictable, and more socially appropriate. Professor Ju has innovated numerous methods for early-stage prototyping of automated systems to understand how people will respond to systems before the systems are built. She has a PhD in Mechanical Engineering from Stanford, and a Master’s in Media Arts and Sciences from MIT.

Natalie Qasabian is an independent film producer based in Los Angeles. In 2018, Natalie produced Searching, a thriller starring John Cho and Debra Messing which was acquired by Sony at Sundance and went on to gross $75M at the box office. Prior to Searching Natalie produced three feature films for the Duplass Brothers including Duck Butter directed by Miguel Arteta. Her films have premiered at Sundance, SXSW and Tribeca. Most recently, Natalie produced Run starring Sarah Paulson for Lionsgate, which premiered on Hulu in 2020 and quickly became the most watched original film on the streamer. In 2021 Natalie was awarded the Sundance Institute Amazon Studios Producer's of the Year Award. Currently, Natalie is producing Searching 2 for Sony/Screen Gems starring Storm Reid and Nia Long. She studied at USC's School of Cinematic Arts, and recently earned an MBA from Pepperdine University.

Cara Seymour began her career co-founding Trouble and Strife Women's Theatre Company, writing and producing critically acclaimed plays. She went on to work off Broadway in the Obie winning production of Mike Leigh's Ecstasy and Caryl Churchill's The Skriker and recently she appeared in the Broadway production of 1984. Film work includes Adaptation, American Psycho, Dancer in the Dark, Gangs of New York, Hotel Rwanda, The Savages, An Education, A Woman, a Part and Sloan Award recipient Radium Girls. TV work includes Steven Soderberg's The Knick.

Emily Thompson, Professor of History at Princeton University, explores the cultural history of sound, music, noise, listening, and technology. Her work has been supported by the National Science Foundation, the Guggenheim and MacArthur Foundations, and the Academy of Motion Picture Arts and Sciences. She is the author of The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933 (MIT Press) and co-creator of the website The Roaring 'Twenties, an interactive multimedia presentation of the noises of New York City circa 1930. Her next book, Sound Effects, will examine how the art and craft of making and showing movies changed when recorded sound was introduced to the American film industry.

Meet the 2021 Writing Mentors:

Claudia Weill is a film, television, and theater director.

Luca Borghese is co-founder of AgX, a New York–based production company.

Musa Syeed is a writer-director whose two features, Valley of Saints (Sundance Audience Award Winner) and A Stray (SXSW Official Selection), were both New York Times Critic’s Picks.

Kate Sharp is an Emmy-nominated producer and Literary Manager at Bellevue Productions.

Emily Rappaport is Literary Director at Conner Literary, a book-to-film/TV scouting firm sourcing fiction and nonfiction titles for adaptation.

Nissar Modi is the screenwriter of Breaking at the Edge(2013) and Z for Zachariah (2015).

Previous Grand Jury and Discovery Prize Winners (awarded by the Tribeca Film Institute):

Zoe Fleer, Clamming (2020 Discovery Prize)
Matthew Jackett, White Coffins (2020 Grand Jury Prize)

Anderson Cook, James Thomas Thinks The Earth Is Flat (2019 Grand Jury Prize)
Andrew Rodriguez, Plus (2019 Discovery Prize)

Jeremy Palmer, The Valley of Dry Bones (2018 Grand Jury Prize)

Annie Pulsipher, The Glowing Gene (2017 Grand Jury Prize)

Shawn Snyder & Jason Begue, To Dust (2016 Grand Jury Prize)

Savannah Reich, Deep Sea Divers of 1929 (2015 Grand Jury Prize)

Laura Alsum, Survival of the Fittest (2014 Grand Jury Prize)

Barnett Brettler, Waking Hours (2013 Grand Jury Prize)

Grainger David, Penny Stock (2012 Grand Jury Prize)

Robert Cohen, Bystander (2011 Grand Jury Prize)

To learn more about the Sloan Film Program and browse all previous winners, visit

This program is made possible with the support of the Alfred P. Sloan Foundation.

The Alfred P. Sloan Foundation is a New York based, philanthropic, not-for-profit institution that makes grants in three areas: research in science, technology, and economics; quality and diversity of scientific institutions; and public engagement with science. Sloan’s program in Public Understanding of Science and Technology, directed by Doron Weber, aims to enrich people’s lives through a keener appreciation of our increasingly scientific and technological world and to humanize the lives of the men and women working as scientists, engineers, and mathematicians. The goal is to integrate the two cultures of science and the humanities by supporting an array of original works such as books, radio, television, film, theater, and new media. The Foundation works with about 20 film school and film festival partners and has supported over 750 film projects, including over 30 feature films. For more information visit